Article & Book Chapter:
·         “Aesthetic Ideality versus Ontological Temporality：Kant and Heidegger’s Approaches to Artistic Meaning”, in Idealismus und Idealismuskritik: Subjekt, Person und Zeit, ed. Hans Feger, Würzburg: K?nigshausen & Neumann, 2010.
·         “Concept of Symbolic Image: from Aesthetic and Metaphysical Perspectives”, forthcoming in Corporeal Aesthetics, edited by Chen Wang-heng, Wuhan University Press.

Presentation:
·         “Aesthetic Ideality vs. Ontological Temporality: Kant and Heidegger’s Approaches to Artistic Meaning”, for “Temporality and Human Existence” Symposium of Germany –Hong Kong Joint Research Scheme, the Chinese University of Hong Kong, September. 2008. 
·         “Language, Image and Meaning: Some Insights from Pre-Qin Philosophy”, for “Beauty and the Way of Modern Life”, International Conference, Wuhan University, April 2004
“Meaning-Image (Yi-Xiang): In Metaphysical and Aesthetic Perspectives”, for “Aesthetics and Culture: East and West”, International Conference, Beijing, October 2002.

Translation:
·         The Spiritual in Art, W. Kandinsky, trans. Yu Minling and Deng Yangzhou, Chongqing University Press, 2011. 
·         Point and Line to Plane, W. Kandinsky, trans. Yu Minling and Deng Yangzhou, Chongqing University Press, 2011.
·         “Aesthetic Trinity: Awe,Trembling, Being Touched”, V. Konecni, trans. Deng Yangzhou, in Journal of Art and Science, Tsinghua University, 2007. 
·         “The Elements of Japanese Aesthetics”,Ken-ichi Sasaki, trans. Deng Yangzhou, Journal of Philosophic Perspectives, Wuhan University, 2002. 
·         “The Epic Long Gaze”, Ken-ichi Sasaki, trans. Deng Yangzhou, in “Aesthetics and Culture: East and West”, Anhui Education Press, 2003.

Graphic Art:
·         “Garden of Century”, Graphic Work, in Journal of Decoration, Tsinghua University, 2004.1.
·         “Hometown”, Gouache Painting, Art Exhibition of Hubei High Education Institutions, Dec 2004.