As of 2023, I am an assistant professor teaching humanities and general education at the Chinese University of Hong Kong - Shenzhen. I  received my PhD in American Studies from Harvard University in 2019 and was the postdoctoral fellow from 2020-2022 at the Center for Religion and the Human at Indiana University, Bloomington. Though formally trained in American Literature and American Art History, I like to call myself a chronocritic because my research has pushed me towards a fascination with the nature of time. Following this interest, I've branched out into Anthropocene studies, extinction, posthumanism, ethics, and environmental humanities.  My interest in temporality derives from a sense of my own mortality, or the very real mental illness—not yet DSM cataloged—known as FoMO ("Fear of Missing Out" or, the-grass-is-always-greener syndrome), which is, arguably, a type of temporal anxiety characterized by the feeling that one is at the wrong time, or not at the most-right time, given all the possibilities. Ethics, in the temporal sense, is a matter of filling one's time well, what Paul Chan describes as "making good on the task of fully inhabiting one's own demise," such that, at any given moment (everywhen), one strives to achieve a sense that one ought not to be elsewhere, or otherwhile. For me, chronocriticism is simultaneously a passion, an academic pursuit, and a therapeutic pastime. I believe that what people assume as their operating temporal metaphor fundamentally shapes their worldview, how they treat people around them, how they treat the world around them, their—in a word—ethics. These temporal metaphors are often underexamined, if not entirely overlooked. Expanding this topic from the individual to the scope of the cultural is the subject of my book project, Ozymandias in the Anthropocene, which examines public works of art that are meant to manifest some sort of imagination of the future. In the words of Arthur C. Clarke:

“The future isn’t what it used to be.”